Tuesday, 14 August 2012

Development Quicktime Movs

Some quick mov files created for the making of (which needs to be fixed before I put it anywhere online) and the final presentation. Far from perfect but will work fine for now.

Maya model build up:

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Shot Development: 


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Final Texture Maps: 


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Final Presentation

So..after many hand-in's and deadlines. This morning is the final presentation for our assessment. It's been weighing over me this weekend and for no real reason I'm pretty scared about it but in 1.5 hours it will all be over. Phew. Just wanted to wish the rest of the animators good luck, all your work is looking great and remember it will be fine!





























Friday, 10 August 2012

FINAL Program Of Study


Last one EVER. I promise. 




FINISHED H.264 TEST FILM

Spoiler alert for degree show: finished film. (or almost, there was a glitch or two in this one which has been smoothed out for the handed-in version but nothing drastic enough to warrant the re-uploading time for this blog) Hooray! Just the making of to go!


Waverley : What Would Sant'Elia Do? from sarah dargie on Vimeo.

Thursday, 9 August 2012

Opening Shot Update


Updated version of the opening shot, I've done very little to this as I liked the feeling of it but felt it was too static. By rendering out the frames at an oversize format, I was able to extend the boundaries of the shot and add in a camera movement.

Current version:


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Princes Street Madness


With this one I have corrected the colour, realigned the frame composition, amended the rotoscope and added in a camera pan. The footage for this shot comes in at over 37 seconds, giving me a lot of scope for choice. I chose the below section (though the actual shot in the film will be less) because I liked the pacing of the arrival of the train. Overall I quite like this shot, more than any of the others it justifies the use of the site and is most like Sant'Elia's original drawing:


Current:
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Previous: 

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Printing and Degree Show Build

So last week I got everything for the degree show printed including the finished production bible and post/ business cards, although not a requirement its useful and something to do while waiting for renders! Yesterday we began the degree show build and got everything in frames ready for mounting. Exciting times ahead. Excuse the blurriness of some of the photos, was borrowing Garry's phone. 







Window and Doorway Updates


Updated versions of the window and doorway shots, again not my favourite shots but again for now will do, the doorway shot is essentially a filler but shhh... I will probably go back and adjust the saturation of the doorway but only when I have it in sequence with the others so that I know how it is going to fit and the window shot although exported in a lettebox format here has exported fine as HD tiff sequence so will be ready for edit later. 

Current Versions:

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Older Versions:


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Birds-Eye Update

A big thanks to Garry Whitton who helped me out a lot with the compositing of this yesterday afternoon. This was by far the trickiest shot to create and one of the worst. By providing a fresh pair of eyes Garry was able to help me adjust the colour and shadows and took over for an hour at the end of a long studio day. Its far from perfect but in comparison to what it looked like before its much more effective and with a day to go and six shots left to edit it will be fine. Link and Jenny also helped out with this one and so thanks to them all. 

Current Version: 

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Older Version:


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Wednesday, 8 August 2012

Updated Window Shot

Edit time. I really wasn't happy with the way this was before. Really wasn't sure what was wrong with it either until Dylan came round and pointed out that the window was far too dark and rendered me out a new window matte pass so I could get a background image in. So after the addition of a lens blur with depth map attached, a background, some chromatic aberration (aka. the new lets-add-it-everywhere-like-we-used-to-use-lens-flare effect) using shift colour channels, tine and optics compensation in after effects and adjustments to each layers opacity here is the updated version. Not perfect but much better:

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Tuesday, 7 August 2012

Sound and Final Timing Also 600th Post!!

Hooray, managed to get some sound in based on the leica reel I created early this morning. There are some glitches but this is just and edit to get how many frames of each shot I will be rendering. The changes will be:

- I will be changing around the title sequence and adding on Trainstations beneath power station
- I will be increasing the end forework shot by some frames to better fit the music. 

So happy that there is sound, it makes such a big difference. The music I don't own (but did purchase) but as its only for education and not commercial or even wide release it will be fine. The track is by Daft punk off their Tron:Legacy OST for Disney (so I fully expect to get into trouble at some point) but for now it works fine (plus its what the futurist's would of donee..maybe). I've only had to edit the music a little (ten points if you can spot where) and then added some basic firework noises for the credit. In the future I'd love to add more to it in terms of shots and sound but for now it will just have to do. Adding the sound allowed me to cut down the shots in the middle and improve the pacing, which in comparision to the leica it was edit form is much snappier. See below for comaprison. Now I just need to severely edit and finish the film (and create a making of)...actually looking forward to it. 

Sound test edit:


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Original timing/edit:
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Leica Reel 02


Current leica reel shot edit. This allows me to add some sound this morning and then fully edit what I have. Hoping (with all my fingers crossed to have a finished, modified, polished one with sound by 9am Thursday morning, his would allow me to have 1.5 days to export, ensure its working and throw together a making of before Friday afternoon. With a list of things to change longer than the available time and a part-time job I can't get out of this may not happen. At present its really not great, really need to pull it together colour, timing and pacing wise and its ben uploaded in awful quality just so I can get it online quickly prior to meeting with Jeanette. At least having this allows me to edit the sound in real time and that will make a huge difference. The bad thing is theres a lot to do, the good thing is I know exactly what I want to change, and if it means the making of doesn't get completed until Saturday then I have a production bible completed and printed in the mean-time so be it. 


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Title Times Update and Credit Sequence

Pretty happy with the credits, sure they go fast and the timings a bit off but F*ck it, there's 3.5 days to go and they only took 45 mins so that can go onto wish-list for future things to fix. Win. Also updated Title sequence with revised timing. I'm hoping to simplify it but for now here we go (I need to cut it at the end but this will be done in the final edit when I can throw sound Sound at it):

Credits:
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Title: 


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Monday, 6 August 2012

Title / Intro Sequence

Finally got the timing on this right. Last week after talking to Dylan and a few of the animators in my class it was decided that my film maybe needed a bit of explanation to the audience what it is they are looking at in my film. After spending longer on it that I wanted to and several revised timing, here is the intro as it stands....

video

Birds-Eye View

The way that my film worked out I ended up having to do something which I normally hate doing; to leave the hardest shot until last. Clocking in at around 72 frames this shot seems deceptively manageable, however I would have to say that out of all of them this is the one which has caused the most strife. I got help from both Link and Jenny with this shot and still it was a nightmare. The initial shot was filmed from the to[p of the Walter Scott Monument through some railings on a windy, cold day in May. In order to get the shot at the angle I needed I had to film it by hand without a tripod so even from the beginning i knew there would be issues. Out of five different shots I took I chose this one and briefly experimented with colour correction in NUKE:


video

I then passed the shot onto Link for him to match-move. From this we got a camera solve for Maya but Link had had a hard time doing it and we both expected that there would be further issues with it:


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When it came to getting the renders I first attempted to stabalise the shot then added the render in the NUKE composition. Despite trying to stabalise it there was still too much camera shake and after re-tracking the shot both in Matchmover and then in 2D using NUKE and after effects didn't work I decided I had to find another way:


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I ended up resorting to 2D and stitched together some photographs which I then painted to create a clean background plate. Using Jenny's rotoscoping I was able to roto in a sense of the people on top of the background to re-gain some of the movement which was lost. I did attempt to add in some cars but the angle of the shot meant that it looked even messier:



video

This shot is far from perfect but hopefully if I can add some grain and some glow etc and blur from the sky it will come together in a more polished form.





Friday, 3 August 2012

Friday Review

The Good...


This is a lovely little video about a Jewish memorial by award winning Russian compositer and 3D artist Efim Armand. Its a rather simple beautiful architectural piece created in 3Ds Max and Vray with lovely camera movements and pacing. Someday I would very much like to aspire to this level of 3D mastery or at least get a better understanding of cameras to get some more realistic effects in there. Its rather inspiring although makes going back to work on my own project slightly disheartening...





Memorial from Efim Armand on Vimeo.




The Bad and The Ugly


..or it did until my good friend and fellow animator Kieran Baxter brought this gem to my attention. This video is the actual 3D fly-though for the proposed V+A museum in Dundee. I understand that it is supposed to be an online interactive piece which would be fine but promoting it as an architectural visualisation film its a prime example of everything I'm trying not to do and what I think is wrong with architectural visualisations. From the insipid music to the unnecessary camera movements it feels dated and rather nauseating, removed and un-engaging. With exactly a week to go to this very hour I may not have a finished polished piece but at least it feels more creatively inspired than this. Enjoy? 



Peep Show

First version of the external shot looking in. Big thanks to Dylan who took the time to render this out for me after two weeks of momentous issues with final gathering and occlusion. I was originally thinking I wouldn't get this shot in the film at all however I'm glad to have it in some form as it shows that although incomplete I have indeed been working on developing the internal space. Even when it was rendered I had issues regarding a disappearing shadow pass and the files insistence of loading in the opposite order.


The final composition comprised of three different render layers: a foreground and background (which contained Depth, Ambient Occlusion, Diffuse, Indirect Lighting, Specular, Reflection and Refraction passes):




and a matte foreground layer for use as an alpha to control the transparency of the glass:


When it came to compositing the shot I've been debating whether to make the glass coloured/ stained or just grimy and slightly transparent. At present I'm leaning against the coloured glass. Coloured:


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Not coloured:

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And another version including enlarged stills. This is because the shadow pass didn't render out properly, I have used the Ambient Occlusion layer to bump it up but the results on the stone aren't as nice as I had hoped, by enlarging the shot there is less stone to worry about:

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Wednesday, 1 August 2012

Deadlines and Thank Yous



Two shots to go and today I got both the final renders from Dylan for the external/internal shot that was causing major issues on the render farm and beyond so a massive thank you for all his time and help. Also today I got the rotoscope for the tricky birds-eye shot from Jenny Gauci so within the next few days a more final film will be in existence. Potentially. Behind the scenes I have managed to get all the degree show printing and production bible complete so just the film, presentation and making of left. Below is a basic comp showing off Jenny's hard work now Its time to test (hope/pray) that the camera solve for the renders I have is more successful than the original opening.

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