First a welcome to Lynsey Schaschke and Susan Ball from third year who have agreed to work on A Sweet Disposition. Many thanks in advance.
Today was the peer review for both A Sweet Disposition and Mouse-tache. All feedback welcome and a detailed analysis will follow. Needless to say A Sweet Disposition needs a few more storyboard panels while Mouse-tache is being virtually rewritten for the better. Until those updates have some props for Leap Year which kept me occupied today though by the colour scheme it seems I'm entering my blue period. Wishbone and Ada's Parasol below...
Also the storyboards for Leap Year have been redrawn, scanned and formatted for the production bible! Yay. A revised animatic can be found at the link below. Also Jenny Gauci has kindly been working on some background designs/ colour/ concepts for it so can't wait to see what she's been up to!
I've updated the Leap Year animatic, very quickly with a new shot layout at the start. It will be revised for as you read I'm updating the storyboard with Ciaran's characters for the production bible. Its fun but alas as Ciaran is a more talented drawer of characters than I, I fear I may be butchering them. As it's been a dull couple of posts I've attached some of the production bible pages with the new character logs on them to refresh memories and enthusiasm!
I redrew the city centre for mouse-tasche. Its still not very exciting but watch this space, colour will follow as soon as time allows! Also I have my own page on their blog, link is here but I wont be uploading anything there that wont already be posted on this one .
Also below is a particularly dull screenshot of a moving bird particle for the Leap Year mediterranean morning shot. Its very basic geometry which will be keyframed and converted into a host of bird particles to add movement and depth to the shot. Its a simple model which will only be seen from a distance but after a ropey few hours relearning maya controls I can say its fun. Its early days but look out for madness later.
Today has been frustrating layout day. The first one is a pretty rubbish one for Ashley's Mouse-tasche .I'm not proud of it but am loath to fix it tonight because there will be a script cut down soon, and with luck 1/3 [or more] of the 97 scene changes will be obliterated.To my mind a high angle perspective crowd shot can go.
The second layout is a sketchy one for Ciaran for the bridge/ Ada jumping in the water scene for Leap Year which he'll kindly animate for me at some point. Exciting! It's great to have a project to work on which has no specific deadline!
Despite not using Leap Year as final project, I am aiming to work to roughly the same deadlines despite not having the same brief. As there is a peer review on the 27th/28th I'm using this date as a production bible deadline. It will be pretty rough but will at least work as a coherent document of the mad project. And so it has begun. Beware as a consequence many dull updates will follow..
Background first part of the early morning Spring shot over the rooftops of the city on Leap Year. Testing colour, atmosphere and composition. Evolution from Storyboard panel, ink drawings and initial colour.
Ciaran Murphy kindly helped me edit my After Effects file for the train station shot for Leap Year and gave me some mini tutorials on how to make things better. Manythanks! Updated file can be found at the following link:
Another sunset /night colour test for another background of a well in Ashley'sMouse-tache. I'm not terribly happy with it and feel the well needs to be re-designed and the composition changed but its all a work in progress!
Below is the first installment of the second short films for Naomi Leckie. This one is called bedtime stories. The original film from which this sequence was taken was a psychological horror film called Persona [I think]. In the scene the woman is talking to herself, applying moisturizer and going to bed. To give it a totally different feel separated from the film, I sampled a Laura Marling song called "Dreaming" [You tube link here].
The video was harder to edit colour-wise than the previous one due to the strong blue colour and the position and movement of the figure on the tiles. The first draft can be found here and there are some stills below:
Also, the original video Paper Cup has been modified and is now titled Grace. A more recent version can be found here but both videos need to be tinkered with:
This blog has become the definitive guide to all of the work which I have been doing since 2009, from animations to advent calendars and doodles for friends this blog contains it all. The good, the bad and the ugly. Thank you for browsing and taking the time to enjoy this weird and visual diary of a workaholic....
the projects
1. Leap Year [Personal Project]
A male waits at an insignificant railway platform in the back of beyond for a utopian city which only appears for one day in every four years.
2. Waverley[Personal/ Master's Project]
What could of happened if Futurist Sant' Elia had designed the Waverley railway station in Edinburgh.
3. A Sweet Disposistion [dir. - Eleanor Affleck]
A young boy faces his first halloween in a new town. prone to bullying and eager to please he has a rough time before he befriends a mysterious Halloween being with a sweet tooth in graveyard.
4. Mousetache [dir. - Ashley Burns]
The adventures of a swashbuckling mouse in a Calafornian town.
5. Mawkin's Backfire [dir. - Brian Lindsay]
A Tex Avery style cartoon following the misadventures of an unfortunate scarecrow and the two adorable but pesky birds which bother him.
leap year : why?
A personal ongoing project to be worked on throughout this year. It is essentially a 2D piece with experimentation using 3D characters within that environent.
Some things in this world are significantly symbolic. Others are thought-provoking or resonate with something deeply personal. There are things destined to change the world and those which will revolutionize the way we think.
This animation is none of these.
A simple short story about fables, magic, love and seasons, it aims to explore and exploit the more romantic or idyllic notions of contemporary civilisation.
Fueled by hot caffeine this is a work intensive labor of love intended to experiment with environments and compositing with the intention to be playful, sweet and very colourful .
Its not big, it's not clever but it has a lot of heart.
waverley : why?
With a previous background in architecture this project aims to allow me learn and test skills which I learned while studying the built environment and apply it in a new commercial way.
Returning to the Futurists was an easy decision to make having completed an interesting undergraduate dissertation on the influence of the movement on cinema. The site of Waverley station in Edinburgh fitted the requirements of having an appropriate function for this project as well as it existing on a multi-leveled site I can visit and film easily while providing an interesting juxtaposition with Edinburgh's old and new town.
The aim of this project is to turn the skills which I have into a commercially viable project, allowing me to improve my 3D and mix live action footage with an animated model while exploring the dynamic theories of the Futurist movement.